王者风范甲天下，羽铩皆因孤且傲。
武术未必称第一，侠义始终冠楚翘。


【摘要】二十世纪七十年代是中国武侠电影的一个黄金时期，佳作纷呈，导演彬彬济济，演员郁郁葱葱，但贾磊磊、陈墨各自的权威专著《中国武侠电影史》却并未重视。考证七十年代武侠片导演第三梯队中的何梦华、徐增宏、雷成功、屠忠训、巫敏雄、王羽，梳理武打女星第一梯队中的徐枫、上官灵凤、嘉凌及第二梯队中的茅瑛、井莉、焦姣、龙君儿、李丽丽、张清清、燕南希、秦萍，指出“侠”乃“武”之魂，浓郁而深沉的宗教意识，有力擢升了这一时期武侠片的文化品位与哲学景深。1970年代的武侠影人影作，正能量足，爱憎分明，惩恶扬善，轻利重信，刚健有为，催人奋进，令人怀念，电影史理应给予浓墨重彩。
【关键词】七十年代 电影史 武侠片 侠 宗教
【英文标题】Yearning for China’s Wuxia Films Made in 1970s: meanwhile to Supplement some Deficiencies in Respective Monograph History of Chinese Wuxia Film by Jialeilei and Chenmo, as well as Cherishing the Memory of Wangyu(1942-2022)
【Abstract】1970s is a golden area of China’s Wuxia film, owing to so copious excellent movies and a great deal of directors with actors in that decade, but Jialeilei and Chenmo didn’t pay it attention in their respective monography of History of Chinese Wuxia Film. This article excavates Hemenghua, Xuzenghong, Leichenggong, Tuzhongxun, Wuminxiong and Wangyu in the 3rd level directors, Xufeng, Shangguanlingfeng and Jialing in the 1st level actresses, as well as Maoying, Jingli, Jiaojiao, Longjun’er, Lilili, Yannanxi, Zhangqingqing, Qinping in the 2nd level actresses, in 1970s. Based on the aforementioned deep digging, the author points out that “Xia”, the spirit of chivalrous, just is the soul of “Wu / Wushu / martial art”. Furthermore, the heavy consciousness of religion in those films elevates the cultural gradation and philosophical profundity. Wuxia Filmmakers and Wuxia films of 1970s show so positive, striving, aspiring and enterprising via serious hardworking, to keep forgoing ahead via correct moral judgement when facing to goodness or evils, all of which mightily encouraged mass audiences strongly. Consequently, history of China’s film should pay more attention to 1970s.
【Key words】1970s, History of Film, Wuxia Film, Chivalrous, Religion
【首发刊物】上海戏剧学院主办的《电影研究》2021年卷，总第八辑，中国电影出版社，CIP第210107号，ISBN 978-7-106-05350-5
【作者】杨新磊（博士，教授，硕导，影视学家）